The best shields in the realm

The city of Nûl Lamta served not only as a significant hub for trade and agriculture but also gained renown for the production of shields, likely among the finest in the Almoravid Empire. This activity proved highly lucrative, given the Almoravids’ constant need to replace weapons while engaged in conflict against Christians in the north. Among these shields were likely the famed adargues (targes), small, lightweight, and highly resilient shields crafted from antelope hides (likely White Oryx) and utilized by the light cavalry. Their superior quality was such that even Christians employed them until the advent of firearms.

These miniatures from the book Cantigas de Santa Maria (poems in praise of the Virgin Mary written by King Alfonso X of Castile in the 13th century) depict the Almoravid or Almohad cavalry wielding these heart-shaped adargues.

“In this city [Nûl], the Lamta shields are crafted; nothing surpasses their perfection, endurance, or form. The Maghrebians employ them in battle due to their defensive efficacy and lightweight design.” (Al-Idrîsî, 12th century).

Shield made from the hide of an oryx, with an iron handle to which is tied a short rope; decorated with lines engraved with a knife. In Tuareg, the shield is known as an ayar. The oryx hide is exceptionally resistant to blows and is capable of trapping any blade that manages to penetrate it (Musée des Confluences, Lyon).
Tuareg weaponry includes a large white leather shield, ayar, a lance, a sword and an arm dagger. The sword and shield were reserved for the Ihaggaren class. The shields were made by specialists from the skin of a gazelle-like animal called a lamt, found only in this region. The skin is tanned with milk and the shell of ostrich eggs for a year. It is believed that this makes the shield impermeable to iron, thus swords would make no impression. If scratched or dented, the shield is damped with water and rubbed with the hand to make the mark disappear.

The star-shaped central motif, formed by thousands of tiny incised marks, may be an invocation in the Tuareg script, tifinar. Together with the ‘hot’ metal studs of brass and copper and pieces of red cloth, this invocation empowers the shield to defend its owner against the evil eye and the ‘cold’ iron weapons of his enemies. The shape of the shield is described in terms of the female form, additionally providing an image of life and fertility to counter the sterile, deadly qualities of iron.

C.J. Spring, African arms and armour (London, The British Museum Press, 1993)